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Post by Captain Spencer on May 16, 2024 3:21:49 GMT
The Wicker Man (1973)A Christian police sergeant travels to the Scottish island of Summerisle to investigate the disappearance of a young girl. Appalled by the inhabitants' hedonistic lifestyle and abandonment of Christianity, Sgt. Howie suspects there may be a pagan sacrifice afoot. Widely regarded as one of the best horror movies ever made, even prompting one critic to call it the Citizen Kane of horror movies. I sure don't dispute this, as it's surely one of my all-time favorites. Intelligently written by Anthony Shaffer, this masterpiece is chilling, eerie, suspenseful, and very atmospheric. The idea of a ritual human sacrfice makes it all the more unsettling, and yet the entire concept turns out to be quite insightful and fascinating. The beautiful folk music presented here really helps propel the mood and atmosphere. My favorite tracks in particular are "Corn Rigs" and "Gently Johnny". In fact, with all the pagan residents being so musically inclined, it almost makes the movie seem like musical and I suppose in some ways it can be considered just that. There is not a false note in all the performances. Edward Woodwood is perfectly cast as the no-nonsense, uptight sergeant. And Christopher Lee's debonair charm makes him ideal as the community leader Lord Summerisle. This review applies to the 95 minute director's cut, as I feel it's the best version out of all three (at least out of the three versions I've seen). 10/10
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Post by politicidal1 on May 18, 2024 22:15:29 GMT
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Post by Captain Spencer on May 19, 2024 3:27:33 GMT
Island Zero (2018)Inhabitants of a fishing island off the coast of Maine find themselves mysteriously cut off from the outside world. They are also under attack by a new species of amphibian creatures. Budget Zero, is more like it. I don't about know the rest of you, but when I watch a creature feature I expect to eventually get a good look at the monsters in action. But in this case we see a dead one, and the live ones are shown on thermal photography only; a sure sign that the budget didn't allow for make-up effects/creature designs. Best that I can tell is this cheapie was made for streaming, and it sure has the bland production values to prove it. A couple of good twists can't save it, and the ending isn't entirely satisfying either. The gore factor? Well we do get to see plenty of intestines, I'll give it that! 4.5/10
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Post by Captain Spencer on May 23, 2024 3:01:55 GMT
Tail Sting (2001)Mutant scorpions terrorize the passengers on an airliner. And the script pretty much writes itself. Hardly anything original here; it might as well be called Scorpions On An Airplane. Irritating characters combined with campy acting are always a bad mix. I do give the movie credit for the use of practical effects, but unfortunately those effects are cheesy. Strictly by-the-numbers. 3/10
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Post by politicidal1 on May 26, 2024 1:34:16 GMT
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Post by Captain Spencer on May 30, 2024 2:18:18 GMT
The Parallax View (1974)An idealistic senator is assassinated in the Seattle Space Needle during a campaign event. Three years later, an intrepid reporter begins his own investigation when he discovers witnesses to the assassination are dying under mysterious circumstances. Imagine a world that has this secret organization specializing in assassination, and will also stop at absolutely nothing in covering up what they believe are loose ends. This includes murdering innocent people they suspect might know something, making the deaths look like accidents. It's a cold-hearted, evil, dehumanizing concept that is frightening and remarkably played out here. Director Alan J. Pakula beautifully captures this sense of dread, and the result is dark, moody, and mysterious. The dark anamorphic cinematography by Gordon blends in well with this feeling, and also helps give plenty of space for those scenes shot at great distances; this really sets the tone of paranoia and alienation. Pakula presents this vision of American society in which average, everyday people are unaware of what they perceive to be as normalcy is actually something else entirely. The idea is that underneath the facade of cheery, flag-waving patriotism and rooting for idealistic political candidates hoping to bring major change, there lurks unknown dark forces who have the power to keep things status quo. Not everything is spelled out clearly in The Parallax View, as there is some ambiguity. But the idea is to really make you think and draw your own conclusions on certain elements that are open to interpretation. Out of all those 1970s paranoia thrillers, this one is probably the most frightening. 7.5/10
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Post by merh on May 30, 2024 5:05:46 GMT
In A Violent Nature.
Canadian
Kid loved it. It was soooo dragged out.
Jason Voorhees as a Canadian Logger camp kid. Da ran the general store,ripped the loggers off/overpriced stuff so the loggers hated him, getting even teasing his developmentally disabled kid. One of the teasers stepped on one of the kid's toy cars he left out, hurting his foot so he was out of work.for a year which the loggers also hated the kid for so they decided to prank the kid, saying there was a bix of toy cars at the top of the fire tower, but it was 2 loggers in fireman masks which scared the kid so he fell off the tower & broke his neck. (I know. Drowning in Crystal lake was far less convoluted).
So 6 or 8 college kids die in gruesome... Violent Nature.
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Post by politicidal1 on Jun 1, 2024 23:09:37 GMT
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Post by Captain Spencer on Jun 2, 2024 17:34:52 GMT
Blue Sunshine (1978)Radical college students from the late 60s who experimented with a deadly strain of LSD suddenly become homicidal maniacs ten years later. A neat idea is done in a surprisingly bland presentation. Just has a very ordinary feel to it. What's more is the ending doesn't really have a solid resolution. However, the good part is watching the killers suddenly becoming bald with a light blue skin tone; these scenes are pretty freaky, and the murder attacks are done with great intensity. Nice try from cult director Jeff Lieberman, but no cigar. 6/10
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Post by politicidal1 on Jun 2, 2024 23:31:35 GMT
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Post by Captain Spencer on Jun 3, 2024 0:49:10 GMT
Whenever I see that MEDIA HOME ENTERTAINMENT logo, it always brings back VHS memories.
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Post by SixOfTheRichest on Jun 12, 2024 12:13:21 GMT
Rabid (1977)After a young woman is severely injured in a motorcycle accident, she receives an experimental skin graft operation. This in turn causes her to develop an insatiable appetite for human blood, and she spreads this deadly disease all over Montreal. David Cronenberg's second feature film, and like his first one (Shivers) this is low budget schlock, yet at the same time a creative work of horror-science fiction. I guess you can call this the body horror of vampirism. Action-packed with a great deal of terrific shock value. The budget clearly did not allow for an original music score and as a result there is the overuse of public domain library music, which is a little annoying. Also, it seemed Cronenberg couldn't come up with a decent ending. Still pretty good, overall. 7/10 I prefer Shivers to Rabid. Rabid is just pretty much the same film, just more expansive and the crazies are violently rabid, rather than sex starved rabid. The ending of Shivers is very good and could in fact have led to a follow up, but the scenario was changed for Rabid. The apartment setting works well in with Shivers atmosphere.
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Post by Captain Spencer on Jun 12, 2024 16:50:20 GMT
Rabid (1977)After a young woman is severely injured in a motorcycle accident, she receives an experimental skin graft operation. This in turn causes her to develop an insatiable appetite for human blood, and she spreads this deadly disease all over Montreal. David Cronenberg's second feature film, and like his first one (Shivers) this is low budget schlock, yet at the same time a creative work of horror-science fiction. I guess you can call this the body horror of vampirism. Action-packed with a great deal of terrific shock value. The budget clearly did not allow for an original music score and as a result there is the overuse of public domain library music, which is a little annoying. Also, it seemed Cronenberg couldn't come up with a decent ending. Still pretty good, overall. 7/10 I prefer Shivers to Rabid. Rabid is just pretty much the same film, just more expansive and the crazies are violently rabid, rather than sex starved rabid. The ending of Shivers is very good and could in fact have led to a follow up, but the scenario was changed for Rabid. The apartment setting works well in with Shivers atmosphere. I'd say I like Shivers and Rabid about the same, and yes both are similar in terms of plotline. But I do agree the ending was better in Shivers.
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Post by politicidal1 on Jun 15, 2024 21:55:25 GMT
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Post by Captain Spencer on Jun 23, 2024 16:18:29 GMT
Strip Nude For Your Killer (1975)Employees of a modelling agency are getting bumped off by a killer dressed in a motorcyle rider outfit. Typical, ordinary giallo. Watching this was a clear indication that the genre was worn out by the mid-70s. Standard direction with murder sequences that are completely uncreative. I realize that not every giallo director can be like Dario Argento, but in this case director Andrea Bianchi should have at least put some effort to make the kills thrilling. The sleaze factor is quite high. Tons of nudity and sex; sometimes it hard to tell if you're watching a thriller or a softcore porn. 5/10
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